Celebrating 20 years of gritLIT!

For 2o years, gritLIT has welcomed readers, authors, and publishing professionals to the City of Hamilton.

Established in 2004 by Hamilton author Krista Foss, it started as a small festival at the Staircase Theatre. Since then, the festival has grown and welcomed over 500 writers from across Canada, including hundreds of debut authors.

I’ve been happy to serve as a program advisor since 2018.

Lots of smiles! I was especially happy to introduce aspiring writers with some of their favourite authors who attended this year’s festival.

Great to catch up with Jennilee Austria-Bonifacio, Brent van Staalduinen, Jamie Tennant, Jessica Westhead, Kerry Clare, January Rogers, and Chyx. Wonderful to meet Kai Cheng Thom, Scarlett Gillespie, Paige Maylott, Casey Plett, Conyer Clayton, Shelly Kawaja, Canisia Lubrin, and Alicia Elliott.

Delighted to host two events this year, including “And So, It Starts” with authors Shelly Kawaja (The Raw Light of Morning) and Jennilee Austria-Bonifacio (Reuniting with Strangers).

“Drafts & Drafts” with Brent van Staalduinen (moderator), Anuja Varghese (Chrysalis), Nathan Whitlock (Lump), and Amy Jones (Pebble and Dove).

Photo 1: “Words Collide” with January Rogers (moderator), Adriana Chartrand (An Ordinary Violence), and Alicia Elliott (And Then She Fell). Photo 2: “Falling Short” with Carleigh Baker (moderator), Vincent Anioke (Perfect Little Angels), and Jessica Westhead (Avalanche).

I seem to like taking photos of authors signing their books!

Top left to right: Ayomide Bayowa (Gills), Adriana Chartrand (An Ordinary Violence), Alicia Elliott (And Then She Fell), Casey Plett (On Community).

Bottom left to right: Vincent Anioke (Perfect Little Angels), Gary Barwin (Imagining, Imagining), Kai Cheng Thom (Falling Back in Love with Being Human), Paige Maylott (My Body Is Distant).

Jennilee delivered a great workshop on social media for writers. Love this slide that reads: “Never stop whatever you’re doing in the real world in order to post about it… No content is more important than being present.” Wonderful advice!

A huge thanks to festival regulars and everyone behind the scenes! Jennifer Gilles, Artistic Director, I still need a photo of you! A special thanks to Jessica Rose, interim Artistic Director, for helping make this year’s festival so memorable! Learn more about the amazing gritLIT team by visiting gritLIT’s website.

List of 2024 Festival Authors

Ainara Alleyne | Vincent Anioke | Margaret Atwood | Jennilee Austria-Bonifacio | Gary Barwin | Ayomide Bayowa | Adriana Chartrand | Conyer Clayton | Alicia Elliott | Madison Farkas | Amy Jones | Shelly Kawaja | Dannabang Kuwabong | David Neil Lee | Robin Lefler | Canisia Lubrin | Peter Mansbridge | George Matuvi | Paige Maylott | Shani Mootoo | Matthew R. Morris | Geoffrey D. Morrison | Lishai Peel | Casey Plett | Leanne Toshiko Simpson | Kai Cheng Thom | Anuja Varghese | Jessica Westhead | Nathan Whitlock | Tom Wilson

List of 2024 Festival Moderators

Elamin Abdelmahmoud | Carleigh Baker | Gary Barwin | Ann Y.K. Choi | Kerry Clare | Megan Divecha | Renata Hall | Mary Francis Moore | Casey Plett | January Rogers | Emily Sattler | Neil Smith | Jamie Tennant | Kai Cheng Thom | Brent van Staalduinen

See author and moderator bios.

Click on the program cover to see inside.

Also, a shout-out to Epic Books, the festival’s official bookseller.

See you next year, everyone!

Learn more about gritLIT: Official website | Facebook | Instagram

“gritLIT is 20 in 2024” by Hamilton City Magazine | “Peter Mansbridge, Tom Wilson, Paige Maylott among writers celebrating 20 years of Hamilton Gritlit festival” via CBC.ca | “Former CBC anchor Peter Mansbridge kicks off 20th annual Hamilton gritLIT festival” by the Hamilton Spectator | “Hamilton’s GritLIT Festival celebrating 20 years with workshops, special guests and more” via CHCH.com

Favourite Places To Write

With blistering hot temperatures and a finicky air conditioner at home, my daughter and I looked for cool spaces to work. Here are our top picks, from cozy cafes to public libraries, in the north end of Toronto and the Greater Toronto Area (GTA).


Covernotes Coffee House (Richmond Hill, Ontario)

Covernotes Coffee House

Books and coffee! We both appreciated the wide variety of coffees and teas, as well as the gluten-free and dairy-free food options. The collection of used books ranged from fiction to textbooks. A whole bookcase was devoted to children’s books. When I can’t write or get stuck, I read to get inspired, so this café was perfect!

Cozy and used-bookstore vibe (which I love!) Friendly and knowledgeable staff.

Heads up: There’s a mix of people working and socializing. Noise cancellation headphones are a must if background noise bothers you. There’s very few outlets to recharge your devices. Free parking is available behind the café.

Instagram


Richmond Hill Public Library – Central Branch

Richmond Hill Public Library

I live in Toronto but because I work in York Region, I was able to get a library card. This branch has a café! The main floor can get noisy – the children’s area is nearby and people seem to meet to chat or hold tutoring sessions. However, it’s quiet upstairs with lots of natural lighting.

Heads up: Wear a long-sleeve shirt; it gets very cold inside. Wi-Fi is open to all visitors; no library card needed. Wonderful outdoor work spaces! Lots of free parking. My novel, Kay’s Lucky Coin Variety, is there if you’d like to check it out.

Instagram


Papa Cafe & Pastry (North York, Ontario)

Papa Cafe & Pastry

This is one of the few places where I’ll have tea instead of coffee. This Persian café serves wonderful saffron tea and their delicious pistachio cookies and almond cake are gluten-free.

Warm and traditional vibe. Service was friendly and quick.

Heads up: The parking lot in front of the café is busy! Small outdoor patio. Check hours as they vary throughout the week.

Instagram


Soul Cafe (North York, Ontario)

Soul Cafe

This Korean café is one of my daughter’s favourites. The best time to work here is when it opens at 12:30 p.m. as it’s quiet then. If you like grapefruit drinks, you must check out their signature grapefruit tea.

Café has a modern and airy vibe. Service was friendly and attentive.

Heads up: Parking lot is small and tight. There’s a few books tucked away in a corner.

Instagram


Starving Artist Waffles & Espresso (Markham, Ontario)

Starving Artist Waffles & Espresso, Markham, Ontario

The Starving Artist is a franchise. The walls are lined with artwork by local artists! The best time to work here is when it opens at 9:00 a.m. as it’s quiet and relaxing. They serve all day brunch and everything comes with waffles!

Contemporary and creative vibe. Service was friendly and attentive.

Heads up: Lots of free parking! Small but pretty outdoor patio. Gluten-free options.

Facebook


Aaniin Library (Markham, Ontario)

Aaniin Library

This Markham Library branch is inside the Aaniin Community Centre. “Aaniin,” pronounced “ah-nee”, means “hello” or “welcome” in Ojibwe. Seven stunning wood sculptures, inspired by the Seven Grandfather Teachings and the Indigenous Ways of Learning, stand outside. Also outside is a sheltered spot to work and eat. The library has plenty of places to work with lots of natural lighting, places to plug your laptops, as well as state-of-the-art 3D printers and laser cutters!

Heads up: The café seems closed. The library is open seven days a week but hours vary. Lots of free parking. The library is part of a community centre so there’s plenty else to do. For example, there’s even swimming pools across the hall from the library!

Instagram


Stae Cafe (East Markham, Ontario)

Stae Cafe, East Markham, Ontario

When we arrived at 10:00 AM, the place was busy but quickly found that most people took their coffees to go. We were able to work peacefully, while cooling down with some delicious iced lattes. We also enjoyed a light lunch. Soft music played in the background.

The café has a modern and cozy vibe. Service was courteous and efficient.

Heads up: The café is small; noise cancellation headphones is a must if background noise bothers you. Lots of natural light. Roadside parallel parking in front of café. Closed Mondays.

Instagram


Some thoughts

While cafés are often convenient and fun places to work, it’s important to keep a few things in mind.

They are places of business. We always made sure to have something to eat or drink at our table. We typically spent between 1.5 – 2 hours in one place. This meant we usually got a coffee/tea along with something to eat (usually a light lunch).

To respect the space we occupied, we avoided spreading our things (books, laptops, etc.) over multiple spaces, even if the place was empty.

We fully charged our devices at home to avoid the stresses of looking for outlets to plug into. While free Wi-Fi was available in the cafes, we were careful about the potential security risks with using them, and worked offline most of the time.

Check the café’s website and reviews for helpful hints about working there. Information, such as shop hours, can change over time. Don’t forget your headphones!

Final tips

As much as possible, don’t ask a stranger to watch your valuables. It’s often awkward for the person being asked (what if they were planning to leave?) and disrupts their work flow. Someone once asked me to watch over their laptop. They were gone for 20 minutes before returning with food from a nearby restaurant!

Cafés are not our personal workspaces. Avoid long phone calls or online meetings; voices project, including laughter. (Although as a writer, eavesdropping in public spaces certainly fosters great dialogue and better fiction!)

Q & A with A(ndrew) & A(nn)

Long time members of the same writing group, Andrew Fruman & Ann Yu-Kyung Choi candidly answer three questions about writing and mental health.

This post was originally published on the 11th Floor Writers website on December 28, 2020

Question 1: What benefits does writing have on your overall mental wellness?
Andrew: It’s a release for what’s going on in my head. So it can be therapeutic, in a similar way to talking things out. There have been many periods in my life when I have been depressed, including recently, and writing has helped me during those times. And it doesn’t just provide me with an outlet, but does so in a creative and constructive manner.

Ann: I struggled with clinical depression in my teens and my twenties. All my counsellors and therapists advised me to write, so for the longest time I associated writing with pain. Every misery, every thought of self-harm and suicide – everything I could not tell even my closest friends – I buried in my writing. Even now as I write this my heart is pounding, but that’s okay. I’ve been in a good headspace throughout my thirties and forties, and now at 52, I’ve got a much better understanding of my mental wellness needs. This has allowed me to see that writing is simply capturing whatever my thoughts are at any given moment whether I’m working on a manuscript or journalling. 
Question 2: What value is there in writing when you don’t feel like it?
Andrew: I often don’t feel like writing. Maybe I’m tired, or I don’t think I have the right mental energy for it, but once I start going, it doesn’t take long for those feelings to change. Just sitting there getting the words out, pushes my brain in the right direction, and I’m always thankful I chose to persevere through my initial reservations.

Ann: Writing has become part of my regular routine just like any job. That said, there are different types of writing. I still journal but only when I’m feeling crappy. It allows me to clear my head since the more I’m able to communicate my thoughts, the better I understand where I am emotionally and mentally. Writing is different from talking to someone since we’re tapping into different parts of the brain. It requires a lot of mental and creative energy. We’re trying to bring order to our thoughts. I feel my brain hard at work when I’m trying to come up with the right word and phrasing or trying to synthesize complex ideas and emotions. Even now as I write, I feel focused and productive – which is a good thing when I’m not feeling in the mood to do anything else.
Question 3: How does being part of a writing community help you move past barriers or obstacles in the writing process?
Andrew: It’s hard to be your own critic. Whether that’s from a positive or negative standpoint. I find that’s especially true if I’ve been working on something for a while. So receiving regular feedback is necessary in gaining perspective on my work. Being part of a group also provides an encouraging support system, which helps make writing feel like less of a solitary pursuit. We all help each other and it’s exciting to see us grow together.

Ann: Being part of a writing community has allowed me to expand my understanding of living the writer’s life. Most of us juggle multiple writing projects, deal regularly with rejection of our written work, and balance family and other professional responsibilities. Being together for as long as we have has allowed a strong sense of trust to develop. We are willing to share and take risks with our writing because of that. This is immensely important because of the emotional vulnerability involved with sharing works-in-progress. I really appreciate the diversity of ideas and opinions that each person brings. It is also gratifying to witness and to be a part of others’ professional growth and success. 

How a Painting and a Piano Inspired Me to Pay Attention

This post was originally published on The Drake‘s blog, April 27, 2016.

Painting in my hotel room at the Drake Devonshire

As a writer, details are important. So, I was beside myself when I realized that a landscape painting hanging in my hotel room suddenly revealed a great white shark, its jaw wide open, sharp white teeth exposed. I had glanced at the painting several times throughout the day. How had I missed the shark? What else had I been missing by not paying attention? I decided to retrace my steps and walked through the Drake Devonshire again, this time determined to pay greater attention. I sat at the bar fighting any urges to get up and do something. Why did I constantly feel a self-imposed pressure to stay busy? Then, I realized the longer I stayed in one place, the more I noticed: the scent of lemons and limes combined with dishwasher detergent lingering in the air, the squeak of chairs on wooden floors behind me.

I stepped outside. The lake was sparkling with the sun’s rays directly over it. I closed my eyes. Again, I fought the urge to move on and tried to stay in the moment. I heard rushing water, the wind, voices. Nearby, on the lawn, was a piano. After being left outside and exposed to every season, it looked like a ghost. I read the inscription: Piano Listening to Itself. I close my eyes. Again, I heard the stream. The wind. Then, I remembered a promise I had made once-upon-a-time to an old friend, now lost to me.

“Piano Listening to Itself”

I met Cathy while we were undergrads at the University of Toronto. I was the type of student who sat at the front of the class, but she insisted that the back was the best place to be: “It’s the only way you’ll see everyone and everything.” Before long, I found myself in the last row of all my Sociology classes. Together we survived long hours of lectures. Cathy had a keen eye for fashion and would make it a point to observe the quirkiest details about how some of our professors dressed. She especially hated white socks with black shoes and threw invisible darts at anyone who committed this fashion faux pas.

We celebrated our twentieth birthday over ten cent wings and cheap beer at the Sticky Wicket, a pub on Spadina Avenue across from the university. Cathy joked that we would celebrate our thirtieth birthday in better fashion, in a gourmet French restaurant, and for our fortieth birthday, after she had travelled the world and I had written a bestseller, we would celebrate by sipping real champagne in Paris, France, under the glittering night lights of the Eiffel Tower.

In the summer of 2008, Cathy and I took our much anticipated trip to Europe in celebration of our fortieth birthday. Our trip didn’t begin without a few glitches. We were in the air already when the pilot announced that one of the engines wasn’t working, and so Cathy and I would have to sit in darkness for the entire six hours that it would take us to get to London. While the other half of the plane enjoyed TV and movies-on-demand, Cathy and I couldn’t even turn our overhead lights on to see what Air Canada was feeding us for dinner.

But Cathy, her spirit undaunted, thought that our descent into darkness was the perfect opportunity to discuss and plan how we would celebrate our fiftieth birthdays. She thought Africa sounded intriguing. The woman in the next aisle agreed that it was an excellent idea and suggested a Kenyan safari. She told us that safari meant ‘long journey’ in Swahili – which would be fitting for two old friends celebrating their fiftieth birthday. The gentleman in front of us suggested the Egyptian pyramids but to avoid it during the summer months because it got terribly hot.  By the time we got to Heathrow Airport, Cathy had befriended half the plane in spite of the fact that she couldn’t see any of them in the darkness!

London was cold and wet. But Cathy didn’t notice the rain. Everything, from Buckingham Palace to the ‘look left’ and ‘look right’ signs painted on the streets, delighted her. However, when we finally got to Paris, her initial reaction to the Eiffel Tower was: “That’s it?”, which made us laugh like school girls. One of my favourite memories was toasting our friendship, drinking champagne as we looked upon a glittering blue Eiffel Tower sparkling against the night sky. I can still hear Cathy’s voice saying, “Isn’t life amazing?”

That night Cathy and I had some of our most random conversations ever. At one point, she turned to me and said, “You’re the English major: what does it mean exactly to ‘kick the bucket?’” I was impressed by the long list of euphuisms she knew to describe dying. Then she asked me what I wanted to be remembered for after I died. “A writer, of course,” I told her. I wanted to be known for my thousand bestselling novels. When I asked her what she wanted, she simply stated, “I’d want people to remember me as a happy person.”

A few months after our trip Cathy grew ill, and after a short and brutal battle with a rare cancer, she passed away. She had been my best friend for over twenty years. During one of our final conversations, as she lay in her hospital bed, she expressed her deep regret at not being around to see my first novel be published one day. “Promise me,” she said, “that when you get your big chance, you’ll remember to sit at the back of the class. That way, you’ll see everything. Just remember to pay attention so you can appreciate it.”

Pay attention. By the time I drove away from the Drake Devonshire, I was convinced the place was a poem, a song, art itself. It demanded time and tranquillity to appreciate everything it had to offer. Guests, if we allowed it, could step into magical places like the Glass Room where apple-green and pink elephant-shaped chairs greeted us and old pianos played lost tunes, but only if we stopped to listen.

The Great Genevieve Graham

I had the pleasure of moderating the Enemies, Allies and Antiquities: From Versailles to Acadia panel with historical fiction authors Roberta Rich, Sally Christie and Genevieve Graham at Toronto Public Library’s Appel SalonGenevieve was kind enough to provide responses to several questions I asked, and has given me permission to share them!

Genevieve graduated from the University of Toronto in 1986 with a Bachelor of Music in Performance (she played the oboe) and began writing in 2007. She is passionate about breathing life back into history through tales of romance and adventure, and loves the particular challenge of capturing Canadian history. Her previous novel, Tides of Honour, was a Globe and Mail bestseller for eight weeks. When she isn’t writing, she can be found relaxing with her husband and two grown daughters, teaching piano to children in the community, or tending her garden along with a friendly flock of heritage chickens. She lives in a tiny town near Halifax, Nova Scotia.

Why do you believe your historical novels are so popular with modern readers? How do you make your historical subject accessible to readers?

So many people to thank …

subwayI thought writing a novel was difficult. Since the publication of Kay’s Lucky Coin Variety in spring of 2016, I’ve discovered selling books and getting them out into the world is even harder. And, there are so many more people involved!

I wrote but did not share my writing with others for years. Then I took a Creative Writing class and shared stories with my instructors and classmates. I can’t begin to express how important this proved to be. I not only learned to be a better writer, but the networking led to the publishing of my debut novel and opportunities to speak and read at different conferences and events including the Association of Writers & Writing Programs (AWP) in Los Angeles.

Also born out of my Creative Writing classes was my writing circle, the 11th Floor Writers. Since 2007, it is my core critique group and writing support. We hold each other accountable and provide opportunities to collaborate and provide constructive, meaningful feedback of our work.

When I signed with my publisher, my writing world expanded to include members from editorial, marketing, publicity, and sales teams. I’ve been tremendously fortunate to work with an outstanding team. I adore my editor, Phyllis Bruce, and everyone at Simon & Schuster Canada. Jackie, my agent, not only helped me navigate through a 17-page contract, but she is my sounding board and go-to person for everything from book ideas to questions I have about the industry.

Thanks to my publishing team and agent, I was invited to some of Canada’s biggest literary festivals and events this year. There, I got to connect with not only readers but fellow writers. I asked them questions about their writing lives and the writing process which proved to be invaluable information for a debut author.

I’ve also been fortunate to meet with some wonderful booksellers. What a pleasure to chat and share conversations with them! Book critics and everyone who reviewed and wrote about me and the novel helped promote its visibility, for which I’m grateful. I had the chance to be interviewed on radio, TV, and in person at several events including ones held through the public libraries. All these opportunities were wonderful places to connect and share with readers.

Readers. It all comes back to them. I am deeply appreciative that people have taken the time to read my novel. Connecting with them either in person or via social media has been a wonderful and immensely gratifying experience.

Finally, I remain grateful to my family and friends who keep me grounded because it has been quite the roller coaster ride so far! I’m especially thankful to my awesome daughter, Claire, the one person I wanted most to share stories with.

Read more:

Quill & Quire: Debut authors know what it takes to write a book, but then what?

 

Do writers need business cards?

businesscard

Do writers need business cards? I’ve found them to be a great way to connect with others, especially potential readers. Using business cards is certainly more professional than scribbling my name, book title, and email address on a piece of paper. Even in today’s digital world, having a paper card has come in handy, especially to spark conversations. My card has the cover design of my novel, Kay’s Lucky Coin Variety on one side (a quick way to market the novel!) and my contact/social media info on the other. I can’t take any credit for it – my publisher created the design and provided me with a box full of cards.

Some author business cards I’ve seen included QR codes. Others had colour photos of the authors. A quick search online showed conflicting views on what should or should not be on a card. Some sites recommended including a short bio or book blurbs, while others stated that doing so would make a writer seem unprofessional.

One thing everyone seems to agree on though is that business cards continue to be a valuable marketing tool. I’ve exchanged or given out cards at book signings and readings, author visits to schools, conferences, and at any social event where I’m meeting others for the first time. They’re also great to have when I run into old friends or people who express an interest in getting to know me and my work better. I’m sincere when I tell people I’d love for them to drop me an email and say hello.

Read more:

Writer Business Cards: 5 Ways To Think Outside The Box
PrimeTime: What Kind of Business Cards Should Writers Have?
Marketing 101 for Freelance Writers #6: What You Need Up Your Sleeve
Create an Author Business Card
Writers – What Should Your Business Card Say?
A 13-Point Checklist for Writing Business Cards

Blank Spaces – a new Canadian literary magazine

Blank Spaces, Volume 1, Issue 1

Blank Spaces, Volume 1, Issue 1

I met Michelle McLaughlin at Word On The Street in Toronto, and was delighted when she wrote to me. She and Alanna Rusnak had seen me speak at the Humber School for Writers Workshop: Overcoming the Odds: Long Journey to Publication. In turn, they introduced me to Blank Spaces, a new Canadian literary magazine, where Michelle is an assistant editor and Alanna is an editor and publisher. Both women are also talented writers. According to Blank Spaces’ website, their mission is “to celebrate and champion the work of Canadian creatives, bringing exposure and support to artists across our great country.”

I love the feel and energy of the magazine! December’s edition (issue 2) includes the stunning photography of Aidan and Leanne Hennebry from Hush Hush Photography. Their photos of New York taken from a helicopter are breathtakingly beautiful. There are also many entertaining and engaging articles, essays, and poems, including the winning story from issue 1’s writing prompt challenge. The deadline to enter the next challenge is January 10, 2017.

Blank Spaces is a quarterly publication with new issues released in September, December, March and June. According to their submission guidelines, they are looking for:

  • flash fiction – short fiction – any topic, any genre (under 1000 words)
  • more than word – photo essay
  • food of love – fiction or nonfiction about music
  • different strokes – art feature
  • make art not war – DIY feature, creative living
  • story matters – the craft of writing
  • red solo cup – smaller pieces to fill the gaps. Poetry, micro-fiction, etc – be creative
  • shameless – creative non-fiction. Personal essay that delves into your own truth and experiences
  • fiction feature – longer fiction – any topic, any genre (up to 3500 words)
  • between the lines author/artist spotlight (not open for submissions but contributors may be approached for an interview)

Complete submission guidelines are available on their website. Magazine copies, print and digital, can be ordered online. You can also connect with them on Twitter and Facebook.

 

Dark Side by John Choi

Dark Side by John Choi

Dark Side by John Choi

It’s kind of crazy that both my brother and I published our first books this year. Like me, John took Creative Writing classes at the University of Toronto’s School for Continuing Studies. We even studied with some of the same instructors like Dennis Bock. The networking opportunities that came with being in our classes eventually led us to get our books published.

According to the National Reading Campaign’s review of Dark Side, the Young Adult (YA) novel “grips readers with its intensity, packing each page with relatable teen issues.”  Emerson, the protagonist in Dark Side, is overwhelmed with family pressures and parental expectations.  John, who works at Nexus Youth Services, explores themes that include domestic violence and teen suicide.

I really enjoyed reading the book because it spoke to so many issues and concerns that today’s teens deal with. As a teacher, I can see how young readers would connect with the characters and the challenges they face. John ends the book with an author’s note encouraging readers to seek help if they are feeling in any way overwhelmed by school or issues related to family and friends. Dark Side is available in bookstores and on Amazon. It was released by Lorimer Books, a Canadian publishing company, in August 2016.

 

So you wanna learn Korean?

Integrated Korean by Young-Mee Cho et al

Integrated Korean by Young-Mee Cho et al

A few people have asked about Korean language resources. It always delights me to hear from non-Koreans interested in learning the language. I’m surprised at how popular Korean food has become and where I live – northern Toronto – there’s lots of Korean restaurants, including Buk Chang Dong Soon Tofu, Joons, and The Owl of Minerva. K-pop and K-dramas have also become very popular. Several people in my Korean class wanted to learn the language so they could read song lyrics and watch TV shows and movies without relying on subtitles.

The textbook my Korean teacher recommended for our beginner-level class was Integrated Korean: Second Edition by Young-Mee Cho, Hyo Sang Lee, Carol Schulz, Ho-min Sohn, and Sung-Ock Sohn (University of Hawaii Press, 2010).

There are also many wonderful online resources. Youtube videos are especially helpful because you can hear how words and phrases should be pronounced.

Top 25 Must-Know Korean Phrases

Learn the Korean Alphabet Fast

Introduction to Perfect Korean Pronunciation

Korean Polly Lingual (excellent place to start!)

9 Tips for Learning Korean